Exposure Capture blog for interviewing me recently. You can read the whole thing here. I'm in a philosophical mood this morning so I'll leave you with this somewhat predictable (but powerful nonetheless) mantra that I'm holding onto today: "May all beings be happy."
at 10:03 AM
Galerie Voies Off mailing list and just got an email about an exhibition of work by a photographer I hadn't heard off, Amaury da Cunha. I visited his website and was intrigued by many of his images--though some feel a bit overly-predictable street photography-ish (which doesn't seem in keeping with the overall tone and I find a bit distracting) the ones that are more mysterious and cinematic really drew me in. The front page of each of his portfolios shows the work in a grid format, and seeing the pictures all together creates a nice allegorical feel; above are some of my favorites. The Voies Off press release mentions that da Cunha's show will combine photographs and sound, "where visual and sound 'images' interplay, questioning the relationship between both media." Seems like an interesting concept. He also has some beautiful photographs on his blog.
at 10:04 AM
WHAT'S LOVE GOT TO DO WITH IT? Devon Dikeou From Sculpture 1991: Ongoing Series Replica of Lobby Directory Board
Announcing Gallery Listing of Artists, Curators, Exhibition Titles, & Dates
My fantastically smart, creative and fashionable friend Melanie Flood has curated a show which opens this Friday in Portland--wish I could head out to the West Coast to see it. I love the curatorial statement, here it is:
And introducing breaking the rules. Introducing personality. Introducing prisons, inflatable mattresses, and Don’t Mess with Texas. Introducing a way of discovering how you want to belong and how you can. Introducing a $175 million debt, Learning how to Dougie, Tina Turner and introducing found objects. Introducing cactus blasting, plastic Easter eggs and an exposure that’s one to two cigarettes long. Introducing Erica Allen, Jason Polan, Breanne Trammell, Devon Dikeou, Stephen Watt, Noah Kalina, and Micheal Shelton (the Longboard Kid).
Curated by Melanie Flood, And Introducing… breaks existing rules and invents brand-new ones. The show is polemical in how personal it is, conceptual in how random. These artists are connected by a strand twined together from creativity, experience, and life. They do their own things. They are not controlled, collected, composed. The artists of And Introducing… express, through photographs, drawings, objects, and ideas a deep and true commitment to life under the creative influence.
There aren’t any rules left anymore, at least not in this show. Or there are rules, but they’re new ones. Create. Consider. Throw it away and do it again. Crochet a Cheeto just because you can, and do a drawing every day, just because you want to. Isn’t that what art was always supposed to be about? Let’s leave it to the critics to throw in their extrapolations, their ideals, their historical juxtapositions and critical ideologies. But we’ll just come and look. And see. And laugh. And feel better, just before we feel worse, just before we feel fucking great.
And so, here, it’s time.
Opening Reception Friday March 11, 2011, 6-9PM Worksound Gallery
at 5:05 PM